Posted on May 19, 2012 by Kelli Richards

Please click below to Pre-Order
“The Magic and Moxie of Apple – An Insider’s View”
Be sure to choose ”Return to The All Access Group”
on Paypal to enter  your email and
receive your eBook on launch day.


Be Sociable, Share!
Posted in Apple | Leave a comment

Digital at it’s Best: Live From Daryl’s House

Posted on April 16, 2012 by Kelli Richards

Today’s world is fickle, and one of my favorite examples of success during this digital revolution and how digital is bringing new audiences to the best performers of our time is Live From Daryl’s House, started by Daryl Hall in late 2007.  This is music discovery at its best, with Hall taking a simple idea and turning it into web gold. Hall recently said of the show, “I had this idea of playing with my friends and putting it up on the Internet.”  What could be easier, right? Certainly the response has been huge.

In fact, the show has become almost iconic, with applause coming in from a long list of leading names in the industry, including Rolling Stone, SPIN, Daily Variety, CNN, BBC, Yahoo! Music and influential (and hyper-critical) blogger Bob Lefsetz.  This is exactly what veteran artists need to be creating in order to reinvent in the digital age and gain new audiences (and influence) through vibrant collaborations with both established leaders in music and new performers.

Daryl Hall has had a rich and varied career, working with virtually all of the great musicians of modern popular music, as well as entering into new relationships with the best of the latest generation of artists. So far, episodes have featured superstars like Smokey Robinson, Rob Thomas (of Matchbox 20), Robby Krieger and Ray Manzarek (The Doors’), Train, Nick Lowe, K.T. Tunstall, Gym Class Heroes’ Travis McCoy, Fall Out Boy’s Patrick Stump, and soul legends The Blind Boys of Alabama – as well as with newcomers such as Nikki Jean, Grace Potter & the Nocturnals, Canadian techno-rockers Chromeo, Bay Area singer/songwriter Matt Nathanson, and highly touted tunesmith Diane Birch.

He’s also featured my own close personal friend, Todd Rundgren, several times, most recently at Rundgren’s home in Kauai, Hawaii, where they performed a rousing 7-song set, including an amazing cover of the Delfonics’ 1970 hit, “Didn’t I Blow Your Mind This Time.”

Daryl Hall and Todd Rundgren have known one another since their early days inPhiladelphia, and the gig inHawaiiincluded an old-fashioned traditional Luau Show, burying a pig in the dirt, serving up some poi, hula dancers and a special performance with local musicians of “Bang on the Drum.” Said Rundgren, “It’s always great when friends come all the way out here to visit, but it’s even better when they come to play.”

Hall’s latest collaboration has been with up-and-coming artist Allen Stone, a virtual look-alike for Daryl himself (in both image and musical philosophy).  In fact, that collaboration went so well that Stone is now touring and working with Hall and Oates.

Hall has had an illustrious career, with six #1 singles with collaborator John Oates, including “Rich Girl” (also #1 R&B), “Kiss on My List,” “Private Eyes,” “I Can’t Go For That (No Can Do) (also #1 R&B), “Maneater” and “Out of Touch” from their six consecutive multi-platinum albums—’76’s Bigger Than Both of Us, ’80’sVoices, ’81’s Private Eyes, ‘82’s H2O, ‘83’s Rock N Soul, Part I and ‘84’s Big Bam Boom. The era would also produce an additional 5 Top 10 singles, “Sara Smile,” “One on One,” “You Make My Dreams,” “Say It Isn’t So” and “Method of Modern Love.”

Live from Daryl’s House is being shown weekly in over 80% of U.S. homes in the nation’s top 200 media markets, as well as all of the top 10, including New York, L.A., Chicago, Dallas and Houston. The show also recently won the 2010 WEBBY Award in the Variety Category.

Daryl’s longtime manager, Jonathan Wolfson, and I are working on getting Daryl on my popular weekly digital radio show, All Access Radio.  I’ll keep everyone posted when we finally get a date set. You can sign up for his Newsletter at http://www.livefromdarylshouse.com/emupdates.html

Kelli Richards
President and CEO
The All Access Group, LLC

**************************************

Be Sociable, Share!
Posted in All Access Group, BlogTalkRadio, Daryl Hall, Digital Revolution, Kelli Richards, Live From Daryl’s House, Todd Rundgren | Tagged , , , , | 1 Comment

Kelli Richards Interviews Evan Lowenstein, Founder of StageIt!

Posted on April 10, 2012 by Kelli Richards

Join me for a great Q&A with Evan Lowenstein.

Click here to listen: Evan-Lowenstein-Interview

Recently named to Digital Media Wire’s list of 25 Execs to Watch in Digital Entertainment for 2011, Evan Lowenstein launched StageIt with the goal of creating a web-based platform that would empower artists to deliver and monetize interactive live experiences.

Most recently, Lowenstein founded and served as President of HookUp Feed, a premier social networking and mobile marketing company whose clients include The Coffee Bean & Tea Leaf, American Airlines, Domino’s Pizza and Cold Stone Creamery.

Previously, he hosted USA Network’s Character Road Trip, a weekly series providing viewers with a peek into the greatest “characters” the country has to offer. Lowenstein was also a recording and touring artist with pop/rock band Evan and Jaron who scored three Top 40 hits, including the Top 10 song Crazy For This Girl.

StageIt is a unique service, answering the pain artists face in a music industry that literally changes and redefines itself every single day. In only six months, StageIt has hosted amazing artists, such as Jerrod Neimann, Chris Young, Plain White T’s, Jaron and the Long Road to Love, Debbie Gibson and Korn.

Kelli Richards
President and CEO
The All Access Group, LLC

Be Sociable, Share!
Posted in Stageit, Uncategorized | Tagged , , , , | Leave a comment

A Discussion with Jim Griffin and Bill Patry, the Father of Copyright at Google

Posted on April 6, 2012 by Kelli Richards

(Click Image to See the Entire Interview)

Recently, at DMW‘s Digital Music East, industry leader Jim Griffin sat down with Bill Patry of Google and valiantly sought to stake out a solution to tangled web that is copyright. What we got, however, was a rich insight to what makes Bill Patry click and how he became known for his $1500 – 6,500 page treatise on copyright law.  Known as the Father (or wicked stepfather) of Copyright, depending on where you fall on the issue, Bill Patry was surprisingly vulnerable and honest throughout the interview. He described himself as a “vegetarian, left-wing Jewish guy,” and one could almost think he was nothing but simple attorney, with a passionate love for music, who tripped and fell into a law degree.

Being first and foremost always a journalist, Jim Griffin came to this fireside chat with Patry with his foundation firmly in place, having interviewed many of Patry’s colleagues (and adversaries) over the years. Patry led off assuring Jim, and the crowd of industry heads who filled the auditorium, that he’s only one voice in a team at Google who are focused on the copyright dilemma.

The discussion started off with Patry sharing his start as a music major in college who went on to bring that love for music into his views as a young attorney entering the copyright arena. He added that his hope was, and is, always to protect the rights of all parties in music – from creation to production to distribution.

This love for music showed time and time again through the interview, as Patry highlighted snapshots of his life and career by quoting obscure songs (for instance, “Drop Kick Me Jesus,” which poetically showcased his time in Texas). As an aside, to evidence what an offbeat guy Patry is, he collects the mouthpieces of famous clarinet players.

He went on to discuss his base clarinet and his fierce loyalty to obscure base clarinetists, like Squonk. He spoke eloquently about the struggles of passionate, obscure musicians (like clarinetists) who will simply never be signed. He asked the crowd, rhetorically, “How do they make a living?”

Jim Griffin, who is arguably one of the most learned and nicest people in the entire industry, led the conversation back to Patry’s early days in law, asking how a music major ends up running copyright at one of the largest companies in the world.  Patry shared that he won an ASCAP contest writing about copyright (partly because he was the only one in that particular category). His paper, “Copyright and Community Property,” won the contest, and the Journal of Copyright Society published it later that year. Thus began the long, winding road to Google.

At the end of the interview, Jim Griffin smiled and asked, “So then what was the linchpin that brought you to Google?” Patry laughed in response, shrugging, “I was in private practice and sucked at it.”  

While I wish they had covered more of where copyright is headed over the next decade, entering what will no doubt be Web 4.0, 5.0, etc., this was a chance to see more of the person who intends to solve a copyright issue that as of now, pits publishers, creators and consumers against one another at every turn.

Final thought, Jim Griffin’s quote from Ben Sheffner (of the MPAA), often an opponent to Patry in the copyright debate, is worth noting: “About Bill Patry: People on my side on today’s copyright debates often see our opponents as head-in-the-cloud cyber Utopians… Unfortunately for us, we can’t dismiss Bill Patry, one of our worthiest opponents, that easily… While we in the entertainment industry often bristle at his conclusions, we frequently consult his masterful treatise… we respect him and are glad to have his voice in the debate.”

Kelli Richards
President and CEO
The All Access Group, LLC

Be Sociable, Share!
Posted in Bill Patry, Digital Music, Digital Music Forum, Jim Griffin | Tagged , , , , , , | Leave a comment

Kelli Shares a Fireside Chat with Jim Griffin, Digital Music & Tech Visionary

Posted on April 2, 2012 by Kelli Richards

Kelli is thrilled to interview Jim Griffin, entertainment tech visionary & one of the sharpest minds in digital music. You can hear the entire interview at Jim Griffin Interview with Kelli Richards.

Jim Griffin is the Managing Director of OneHouse, a company dedicated to the future of music & entertainment delivery.

Jim is focused on accelerating the pace of scholarly research thru collaborative tools and open access to knowledge. He started & runs Choruss LLC, incubated by Warner Music Group, and successfully led the team that built a new model for sound recordings: Sharing music with flat-fee access to unlimited downloads for students.

He also ran the tech dept at Geffen Records for 5 years (distributing the first full-length commercial song on-line, by Aerosmith). He is often a keynote speaker or moderator (Internet Summit, Giga Conference, Comdex, CES, Webnoize…) and lectures at business schools (Harvard, USC, UCLA, Berkeley). He also serves as an expert witness in digital entertainment.

This is a powerful Q&A and well worth the 30 minutes. Comments are definitely welcome!

Be Sociable, Share!
Posted in BlogTalkRadio, Jim Griffin, Keli Richards | Tagged , , , | Leave a comment

Life and The Love We Make

Posted on March 16, 2012 by Kelli Richards

Working at the crossroads of music and technology, and being a talent producer for a couple of decades now, I’ve had the opportunity to work with a long list of amazing artists. The most meaningful interactions are often the unscheduled, random conversations that just seem to happen randomly. Some of those occur behind-the-scenes at events like Pollstar, where I got to shoot the breeze with my childhood idol, Davy Jones – who spent that entire conversation asking about my work, my family and sharing his own human, fun-loving side. He was an amazing soul and is definitely missed by all of us, as colleagues, and by me, as a friend.

Sadly, Davey Jones wasn’t the only friend I lost recently.  The amazing Ronnie Montrose also left us after a long struggle with prostrate cancer.  Ronnie was the lead guitarist for the band Montrose, and worked with a long list of great artists, including the Neville Brothers,  Sammy Hagar, Herbie Hancock, Van Morrison, The Beau Brummels, and the legendary Boz Scaggs, among others.  Ronnie and I also met at the Pollstar Awards, where I booked him as a presenter. He was a great guy and we shared several powerful conversations about what he could do in the digital space and we left off looking forward to maybe working together.  Ronnie’s warmth and sincerity are definitely missed, and remembered.

Moments of remembrance seem to be all around me lately.  While I was in New Yorkfor Digital Music East a few weeks ago two colleagues and I visited the 9/11 Memorial – a tough morning for all of us. Afterward, we talked about the amazing love that followed that day, and I shared my experience with Paul McCartney at the Adopt-a-Minefield Concert (a cause supported mightily by the late Princess Diana).

I was privileged to share a personal moment with Sir Paul after he performed “God Only Knows” and “Let it Be” with Brian Wilson of the Beach Boys. Paul drove up himself in his black Mercedes before the event and we shared our experiences about many things, including his personal relationship with 9/11. I myself was headed to New York only a few days before 9/11, but cancelled the trip. Had I gone, I was scheduled to return on Flight 93 – the flight that crashed in a field in Pennsylvania.  A million times I have considered this close call with awe and gratitude, to say the least.  Paul shared his own amazing story with me.  He was on his way to London to celebrate his daughter Stella’s 30th birthday that very morning and was literally taxiing on the tarmac at JFK when the first plane hit the North Tower of the World Trade Centre, and when all air traffic was grounded, McCartney’s plane was ordered back to the gate.

Basically trapped in NY, Paul decided over the next few days to create a benefit concert, and the “Concert for New York City” was born. It was graced with a long list of stellar musicians (all personal friends of McCartney), including Elton John, David Bowie, Pete Townshend, Eric Clapton and Mick Jagger, among others. (An amazing documentary by Albert Maysles called “The Love we Make” followed McCartney around New York those few weeks before the concert, which happened only five weeks after the attacks.) One of the most notable moments in the film shows Paul standing on the stage at Madison Square Garden in an FDNY T-shirt. When he sang Yesterday in front of hundreds of firefighters and police officers, most of whom had all lost friends and relatives, there wasn’t a dry eye in the house.

Some days, I know we’re all led to the tears when we lose someone we love or celebrate difficult anniversaries, but I think Paul McCartney was definitely right when he shared “I just thought we could help with the music.”

Kelli Richards
President and CEO
The All Access Group, LLC

**************************************

Be Sociable, Share!
Posted in 911, Adopt-a-Minefield, All Access Group, Davey Jones, Kelli Richards, Paul McCartney, Ronnie Montrose, The Love we Make | Tagged , , , , , , | Leave a comment

Posted on March 12, 2012 by Kelli Richards

 NIC ADLER, The Roxy Rebirth!

I’m very excited about my recent interview Nic Adler on All Access Radio!  Nic is a band manager, promoter, and restauranteur who has been at the helm at the infamous Roxy Theater on the Sunset Strip in Hollywoodfor almost 15 years. He’s also become a leading name in social media, using Facebook and Twitter to revitalize not only The Roxy, but the entire Strip!

Nic is also the co-producer of the Sunset Strip Music Festival, which draws over 30,000 music fans to the city every August and celebrates the Strip’s legacy as it highlights some of music’s newest talent. Nic has definitely blazed his own trail as a social media innovator and entrepreneur. Through his leadership and expertise Nic managed to save the 37-year old Roxy from extinction by revitalizing it with a social media program that has catapulted him to the no. 1 music venue in the world on Facebook and Twitter. He altruistically extended his community-driven program to the neighboring businesses on the Sunset Strip and spearheaded the community collective known as The Social Strip.  He’s been featured in the NY Times, NPR, LA Times and others for his social media insights and accomplishments.  Nic and The Roxy have been the recipient of countless awards over the years including City Beacon Award for West Hollywood, AOL Best Venue in Los Angles, and VH-1 Rock Honors Website of the Year – and we’re happy to have had him as a guest on our show. You can hear the entire interview at http://bit.ly/Nic-Adler-THEROXY.

Sign up for my newsletter to get updates on all of my upcoming interviews.

Kelli Richards
CEO of The All Access Group

Be Sociable, Share!
Posted in Nic Adler, The Roxy | Tagged , , , | 1 Comment

NEW DIGITAL ECONOMICS SILICON VALLEY – Executive Brainstorm & Innovation Forum

Posted on March 2, 2012 by Kelli Richards
On March 27-28, 2012 at the Marriott Hotel, Union Square, San Francisco, the next installment of New Digital Economics – ‘New Business Models & Growth Opportunities in a Hyper-Connected World, is coming to Silicon Valley.  The executive brainstorm uses STL Partners’ acclaimed interactive format, ‘Mindshare‘, and includes new research and case studies from today’s converging marketplaces within 4 co-located events: Digital Economy 2.0, Digital Commerce 2.0, Digital Entertainment 2.0 & Digital Things 2.0.

The All Access Group has secured a 50% discount for our members. Simply enter code: VIP3273 on the online registration form or contact the event organiser: miriam.dennis@stlpartners.com for details.

Kelli Richards
President and CEO
The All Access Group, LLC
**************************************
Be Sociable, Share!
Posted in Kelli Richards, NEW DIGITAL ECONOMICS | Tagged | Leave a comment

Press Release: Kelli Richards, Expert in Music, Technology and Digital Distribution to Speak at Capital Club

Posted on February 29, 2012 by Kelli Richards

Kelli Richards, Expert in Music, Technology and Digital Distribution to Speak at Capital Club

Cupertino, CA  Kelli Richards, a thought leader in digital music and entertainment, and one of only a few select members of The Futures Agency and Alan Weiss’ Master Mentor Program and Thought Leadership Summit, has been invited to be an esteemed guest and presenter at the Silicon Valley Capital Club.

Located in beautifulSan Jose,California, the Silicon Valley Capital Club is a private business, social and dining club that is truly without rival inSilicon Valley and the surrounding Bay Area. With its spectacular 360-degree views from the pinnacle of theKnightRidderBuilding in the heart of downtownSan Jose, the Silicon Valley Club offers the perfect ambience and well-equipped facilities for both business and social gather.  The Women’s Luncheon Series at the Capital Club highlights women speakers from a variety of backgrounds and industries.  It also provides the opportunity for top business leaders to build strong relationships and develop a network of connections.

Kelli Richards is a true trailblazer in the digital music, entertainment and technology worlds with more than twenty years of senior-level leadership experience.  With a unique talent for connecting innovators in technology with creative leaders in entertainment, Richards is a highly sought-after consultant, mentor, speaker, producer, coach and author, As the CEO of The All Access Group, Richards and her team facilitate powerful strategic business opportunities in digital distribution between technology companies, established artists and celebrities, film studios, record labels, and consumer brand companies to foster new revenue streams and deliver compelling consumer experiences.

Prior to founding The All Access Group, Kelli served in senior roles at Fortune 100 entertainment and technology companies, including Apple Inc., where she launched Apple’s earliest focus on music and drove all music initiatives during her 10 years with the market leader. She also served in senior-level leadership capacities at EMI Music as an A&R exec, and at Silicon Graphics (SGI) where she helped launch Silicon Studio, the company’s entertainment division. She developed PatroNet, the first Internet-based artist subscription service with rocker partner Todd Rundgren in the mid-90s – and helped to launch the entire digital music revolution.

A frequent speaker and panel moderator at digital music and entertainment industry conferences globally, Kelli has also been an acclaimed talent producer of a wide range of award shows, epic concerts, and celebrity fundraiser events for over 25 years.  She co-produced a celebrity fundraiser event to support the UN’s “Adopt-A-Minefield” initiative featuring Paul McCartney, Brian Wilson, Stephen Stills and hosted by Jay Leno. Additionally, she was a 20-year talent producer behind the BAMMIES, and remains a long-time talent executive and co-producer of the annual Pollstar Concert Industry Awards.

Kelli Richards has co-authored two books, including the critically acclaimed “The Art of Digital Music:  56 Artists, Visionaries & Insiders Reveal Their Creative Secrets.”  Her newest eBook, “Taking the Crowd to the Cloud – Social Media for the Music Industry,” reached #1 on Amazon in several categories. A true renaissance woman, Kelli is also a Certified Integrative Life Coach trained under best-selling authors and coaches Debbie Ford and Alan Cohen.  She lives inCupertino,CA in the heart of theSilicon Valley.

# # #

Kelli Richards, CEO
www.AllAccessgroup.com
Email:  Kelli@AllAccessGroup.com

 

 

Be Sociable, Share!
Posted in Capital Club, Kelli Richards | Tagged , | Leave a comment

Whitney Houston – Connecting the Dots to a Legacy

Posted on February 21, 2012 by Kelli Richards

There’s no doubt that musicians face huge challenges to remain centered and whole, in an industry that seems to rip pieces away from their very soul at times.  From the fans to the machine – to the very process of creating their work – the vulnerability is sometimes painfully obvious.  The very thing that draws us to amazing talent like Whitney Houston, the courageous vulnerability, is what often becomes their undoing.

The ultimate question becomes: What do artists need to create to keep themselves safe from becoming undone?  Because stories like Whitney Houston’s are not uncommon.  Stars rise and fall with the fickle tastes of fans, and when an artist is as meteoric as Whitney, the fall to the ground is far and long.  Her difficulties were not only exploited in the media, they were – to some degree – exploited by Whitney herself, choosing a reality show as a vehicle for her brand.  Under the best of circumstances, that road is twisted – just ask the long list of reality stars held up to public scrutiny (and editing and distribution).

Whitney Houston made courageous leaps long before Being Bobby Brown, battling for sobriety and most recently reinvigorating her career and her brand.  She took the brave leap from music to film.  “The Bodyguard,” with Kevin Costner is what leaps to everyone’s minds when we talk about her film presence, but for me, it’s her more subtle performance in “Waiting to Exhale” that always got my attention, because it was far from her own journey.

Seeing Whitney play an icon, even as beautifully as she did so in The Bodyguard, was not a stretch.  It was believable because she was believable – always authentic in her music, to see that embodied in the film was wonderful, but not a surprise.

But in Waiting to Exhale, amidst a great ensemble of veteran actresses like Angela Bassett, well that’s where we saw her acting chops come out.  The softness she delivers her parting line to an outdated lover, the laughter she joined, but did not dominate – every piece of that film showed a side of Whitney – a collaborative side – that we seldom saw as a superstar.  From every high note, performance to performance, she was what we demanded she be – an icon.

I think we all agree that Whitney Houston was far more than that. She courageously took on great, collaborative projects, most recently in the remake of “Sparkle.” I’ve had the great honor to be friends with Oscar Winner Irene Cara – the actress who crossed that same barrier and brought Sparkle to life the first time.  I know from years and years as a coach, working with top artists that celebrities crossing media barriers from film to music to producer and back again is a difficult and amazing journey.  They risk failure in a far more public way than mere mortals.  But it’s the courage and the vulnerability to take those risks that keeps artists alive – in every definition of the word.

I think, now, in the end, like Michael Jackson and Amy Winehouse, our job now is to let Whitney Houston rest. The drugs – the chaos – the heartache – it’s all over. Like a great painter, only her artistry lives on.  We have to remember that  she was, of course, a real person – someone’s daughter …someone’s mother.  She belonged to them.  But if you connect the dots to the music…and the rest of her work, the legacy belongs to all of us.

Kelli Richards
President and CEO
The All Access Group, LLC

Be Sociable, Share!
Posted in Irene Cara, Whitney Houston | Tagged , , , , , , | Leave a comment